THE UTAH STATE OFFICE OF EDUCATION
INTEGRATED CURRICULUM DESIGN
UTAH STATE OFFICE OF EDUCATION
Scott W. BeanLaurie A. Chivers
Deputy Superintendent of Public Instruction
Instructional Services and Curriculum
Bonnie Morgan, Director
Julie J. Baker, Integrated Curriculum Specialist
Pat Horyna, Teacher Consultant
D.A.W.N. Project
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SECONDARY
CURRICULUM
INTEGRATION
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CORE APPLICATIONS
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Discipline |
Content
(What Students Need to Know) Core Numbers (Standards and/or Objectives) |
Discipline |
Skills (What Students Need to be Able to Do) Core Numbers (Standards and/or Objectives) |
Discipline |
Dispositions/Attitudes |
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Core Connections

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ESSENTIAL QUESTIONS
Now that the content and process/skills have been determined for the unit, it is important that the teacher and/or students decide "what is the essence" of what should be explored. Too much of integrated curriculum becomes a "hodgepodge" unless there is way to bring it together in a meaningful way.
Heidi Hayes-Jacobs has established "Essential Questions" as a way to bring relevance to the integration of disciplines through a unit or project. As essential questions are developed it is helpful to remember this quote by Heidi, "Given the amount of time we have to spend on this particular unit of study, what is the essence....what is essential for the learners in my care to explore?"
The following are criteria for essential questions developed by Heidi Hayes Jacobs:
If the unit is to be structured by the students, it might be advisable to follow "The Project Approach" developed by Lillian Katz and Sylvia Chard. In this model the students might choose the topic according to interests, or the teacher could direct the topic. The students go home and interview parents, family members, neighbors, etc., about the topic. Then they share what they learned and develop questions from the things they have learned which starts the inquiry. The teacher can also ask questions that focus on curriculum goals. This would be the set of essential questions.
LIFELONG LEARNING
COMPLEX THINKING
EFFECTIVE COMMUNICATION
COLLABORATION
RESPONSIBLE CITIZENSHIP
EMPLOYABILITY
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Essential Questions

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Examples of Essential
Questions
(Taken from Heidi Hayes Jacobs Work)
Ancient Egypt: Land of the Pharaoh
Aids: a plague in our time
Flight
Snow
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* Name the activity. If the activity needs more explanation, refer to the lesson plan form provided.
* List the multiple intelligences the activity addresses.
* Describe which thinking process or processes are used in this activity.
* Include how the activity will be assessed.
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Meeting Student's Needs

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ESSENTIAL QUESTION #
TEACHER/STUDENT DIRECTED ACTIVITIES:
| Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Activity: Multiple Intelligence: Thinking Skill: Assessment: |
| Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Activity: Multiple Intelligence: Thinking Skill: Assessment: |
| Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Activity: Multiple Intelligence: Thinking Skill: Assessment: |
| Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Activity: Multiple Intelligence: Thinking Skill: Assessment: |
| Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Activity: Multiple Intelligence: Thinking Skill: Assessment: |
Culminating or Connecting Activity:
Describe Choices of Products/Presentations:
RESOURCES:
Multiple Intelligences: Linguistic; Logical-Mathematical; Spatial(Visual Art);
Bodily-Kinesthetic(Dance, Drama); Musical; Interpersonal(Drama); and Intrapersonal(Drama)
Blooms Taxonomy Knowledge, Comprehension, Application, Analysis, Synthesis, Evaluation
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TITLE:
OBJECTIVES: (Essential Question)
CORE:
| LIFE SKILLS: o Lifelong Learning o Complex Thinking o Effective Communication o Collaboration o Responsible Citizenship o Employability |
ATTITUDES: | SKILLS: |
TIMING:
BACKGROUND:
MATERIALS:
PROCEDURE:
ASSESSMENT:
| Grouping: o Individual o Small Group o Total Class |
Teaching Approach |
Product Choices: |
OTHER CONNECTIONS:
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Multiple Intelligences and
Bloom's Taxonomy
Adapted from Thomas Armstrong
| Knowledge | Comphrehension | Application | Analysis | Synthesis | Evaluation | |
| Language Arts (Linguistic) | ||||||
| Math (Logical-Mathematical) |
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| Dance (Bodily-Kinesthetic) |
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| Music (Musical) |
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| Drama (Inter- & Intra- personal, Kinesthetic) |
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| Technology |
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Transfer the content outline to a matrix to ensure a variety of approaches to learning.
Suggestions might include:
Multiple Intelligence: Howard Gardner
HOW IS A CHILD SMART?
Identify the multiple intelligence addressed by the activity and place a tally mark
in the box.
By completing this task for each designated activity, there will be a cross reference of
activities to standards of excellence.
| MUSICAL (Music) |
DRAMA (Intra- & Inter- Personal, Kinesthetic) |
DANCE/MOVEMENT (Kinesthetic) |
VISUAL ARTS (Spatial) |
READING/WRITING (Linguistic) |
MATH (LOGICAL) |
TECHNOLOGY | |
| SOCIAL STUDIES | |||||||
| SCIENCE |
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| HEALTH |
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| MATH |
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| WRITING |
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| READING |
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BLOOMS TAXONOMY OF THINKING SKILLS
Thinking skills that range from basic to abstract are based on Blooms Taxonomy. By using a matrix of the levels of thinking, the activities can be plotted to determine basic to abstract levels of thinking. The level of thinking is selected by placing the correct verb before the activity and assigning a product that reflects the intent of that level of thinking.
| Knowledge | Comprehension | Application | Analysis | Synthesis | Evaluation | |
| Social Studies | ||||||
| Science | ||||||
| Health | ||||||
| Reading | ||||||
| Writing | ||||||
| Technology | ||||||
| Math |
Example of verbs used to designate level of thinking
| Knowledge | Comprehension | Application | Analysis | Synthesis | Evaluation | |
| explain | restate | organize | compare/contrast | add to | interpret | |
| describe | summarize | order | relate | combine | justify | |
| list | describe | collect | differentiate | extend | decode | |
| observe | show | apply | specify | substitute | conclude | |
| demonstrate | group | model | determine | rename | dispute | |
| recognize | paraphrase | construct | deduce | design | criticize | |
| tell | show | apply | take apart | predict | solve |
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Assessment
* Multiple Choice
* Standardized Tests
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ASSESSMENT
PRODUCTS AND PRESENTATIONS
READING/WRITING (LINGUISTIC)| Advertisements Choral Reading Commercials Exaggerations Jokes Limericks Newscast Outlines Picture |
Banner Clay Tablets Critique Fairy Tales Journal/Diary Myths Nursery Rhymes Pen Pals Labels |
Chain Story Comic Strips Diagramming Game Construction Letters New Endings Oaths Petitions Poetry/Rhymes |
| Publications - Newsletters, Newspapers, Yearbooks, Books, Pamphlets, Flyers, Advertisements, Magazines, Manuals, etc. | ||
| Questionnaires Recipes Schedules Shopping Lists Story Problems Telegrams Travel Logs |
Quilting Riddles Scripts Slogans Story Webbing Tests/Quizzes |
Reader's Theater Satire Scrolls Speeches Surveys Time Lines |
| Bands Choir Duets/Solos |
Barbershop Quartets Choral Reading Listening, Writing, Composing |
Chants Cultural Music Musical Artists |
| Music
Interpretations - Movement, Art, Video, etc. Musical Eras - Rock=n Roll, Modern, Big Band, Bluegrass, Classical, Jazz, Ragtime & Rap Musical Games (e.g., musical chairs) Musical Instruments - Band (e.g., guitar) Musical Instruments - Body (e.g., clapping, vocalization) Musical Instruments - Keyboard (e.g., piano, organ) Musical Instruments - Nature (e.g., grass whistles, seed pods, fluted sticks, wind, bird songs) Musical Instruments - Novelty (e.g., lap harp) Musical Instruments - Orchestra (e.g., violin, trumpet) Musical Instruments - Rhythm Band (e.g., blocks, maracas) Musicals (e.g., Annie, Sound of Music, Music Man) |
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| Musical Messages Orchestra |
Musical Pictures Sign Language |
Opera Symphony |
| Advertisements Charades Dialog Mime Plays |
Animation Comedy Act Dramatizations Monologue |
Characterizations Debate Improvisations Pantomime |
| Puppet Shows - Marionettes/Hand Puppets/Finger Puppets/Paper Plates, Stick, Spool, or Box Puppets | ||
| Reader=s Theater | Role-Playing | Skits |
| Acrylic
Paint Blueprints Caricatures Collage Cross Section Diorama Fabric Design Hieroglyphics Imprint Macrame Mobile Movies Papier Maché Poster or Poster Painting Relief Maps/Pictures |
Artifacts Ceramics Charts/Graphs Comics Design Display Finger Paint Holograms Jigsaw Puzzles Maps Models Mural Patterns Puzzles Rubbings |
Banner Chalk Clay Costumes Diagram Etching Game Construction Illustration Lithograph Masks Mosaic Oil Pastels/Paint Photographs Quilting Scherenschnitte |
| Scrapbook Sculpture (e.g., earth materials, household Ajunk,@ paper) | ||
| Silk Screen Transparencies Wax Melts |
Silhouettes Wall Hangings/Flags |
SketchingWatercolors |
| Ballet Clogging |
Ballroom | Break |
| Cultural Dances - Native American, African, Outback, European, Japanese, Cowboy | ||
| Fast Dancing/Slow
Dancing Interpretive Modern Soft-Shoe Tap |
Foot Patterns Jazz Movement Games Square |
Hip Hop Line Shadow Street |
| Cassette Tape Internet Radio Film |
CD ITV Television Filmstrip |
Ednet Laser Disc Video Overheads |
| Food Math - M&M, Popcorn, Pizza, etc | ||
| Body
Calculations Gauges (connect with science) Use Children for Numbers |
Story Problems Graphing (just about anything) Nature Math |
Geometry Creations Occupational Needs |
| Life Skills Math (e.g., checkbooks, taxes) | ||
| Shopping Spree | Critical Thinking - Mind Benders | |
| Logic Puzzles (Any grade can do them.) Extreme Numbers (Kids love to do outrageous number problems.) |
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CURRICULUM MAPPING
* Use "stickies" in order to make it easier to move the unit titles around on the Curriculum Map. REMEMBER:
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| Subject | Sept. | Oct. | Nov. | Dec. | Jan. | Feb. | Mar. | April | May |
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All rights reserved except those which may be granted under Sections 107
and 108 of the Copyright Revision Act of 1976. This document may be freely distributed in
its entirety for non-profit purposes provided that the copyright notice is not removed. If
you have questions concerning proper use of this material, or if you are interested in
obtaining permission, contact the Curriculum Section Reception Desk at 801-538-7698.
This document was submitted for posting to the Internet by the State Character Education
Specialist. Any questions concerning content should be directed to that individual.
Updated June 01, 1999
by Michelle Dumas