THE UTAH STATE OFFICE OF EDUCATION

 

INTEGRATED CURRICULUM DESIGN

 

UTAH STATE OFFICE OF EDUCATION

Scott W. Bean
State Superintendent of Public Instruction

Laurie A. Chivers
Deputy Superintendent of Public Instruction

Instructional Services and Curriculum
Bonnie Morgan, Director
Julie J. Baker, Integrated Curriculum Specialist
Pat Horyna, Teacher Consultant
D.A.W.N. Project

Salt Lake City, Utah
1997

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SECONDARY
CURRICULUM
INTEGRATION

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CORE APPLICATIONS

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Discipline

Content (What Students Need to Know)
Core Numbers
(Standards and/or Objectives)

Discipline

Skills (What Students Need to be Able to Do)
Core Numbers
(Standards and/or Objectives)

     

     

     

     

     

     

     

     

     

     

     

Discipline

Dispositions/Attitudes

 

 

 

 

 

 

 

 

 

 

 

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Core Connections

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ESSENTIAL QUESTIONS

Now that the content and process/skills have been determined for the unit, it is important that the teacher and/or students decide "what is the essence" of what should be explored. Too much of integrated curriculum becomes a "hodgepodge" unless there is way to bring it together in a meaningful way.

Heidi Hayes-Jacobs has established "Essential Questions" as a way to bring relevance to the integration of disciplines through a unit or project. As essential questions are developed it is helpful to remember this quote by Heidi, "Given the amount of time we have to spend on this particular unit of study, what is the essence....what is essential for the learners in my care to explore?"

The following are criteria for essential questions developed by Heidi Hayes Jacobs:

If the unit is to be structured by the students, it might be advisable to follow "The Project Approach" developed by Lillian Katz and Sylvia Chard. In this model the students might choose the topic according to interests, or the teacher could direct the topic. The students go home and interview parents, family members, neighbors, etc., about the topic. Then they share what they learned and develop questions from the things they have learned which starts the inquiry. The teacher can also ask questions that focus on curriculum goals. This would be the set of essential questions.

LIFELONG LEARNING
COMPLEX THINKING
EFFECTIVE COMMUNICATION
COLLABORATION
RESPONSIBLE CITIZENSHIP
EMPLOYABILITY

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Essential Questions

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Examples of Essential Questions
(Taken from Heidi Hayes Jacob’s Work)

Ancient Egypt: Land of the Pharaoh

Aids: a plague in our time

Flight

Snow

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UNIT/PROJECT DEVELOPMENT

* Name the activity. If the activity needs more explanation, refer to the lesson plan form provided.
* List the multiple intelligences the activity addresses.
* Describe which thinking process or processes are used in this activity.
* Include how the activity will be assessed.

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Meeting Student's Needs

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ESSENTIAL QUESTION #

 


TEACHER/STUDENT DIRECTED ACTIVITIES:

Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:
Activity:
Multiple Intelligence:
Thinking Skill:
Assessment:

Culminating or Connecting Activity:
Describe Choices of Products/Presentations:


RESOURCES:
Multiple Intelligences: Linguistic; Logical-Mathematical; Spatial(Visual Art); Bodily-Kinesthetic(Dance, Drama); Musical; Interpersonal(Drama); and Intrapersonal(Drama)

Bloom’s Taxonomy Knowledge, Comprehension, Application, Analysis, Synthesis, Evaluation

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TITLE:


OBJECTIVES: (Essential Question)


CORE:

LIFE SKILLS:
o
Lifelong Learning
o Complex Thinking
o Effective Communication
o Collaboration
o Responsible Citizenship
o Employability
ATTITUDES: SKILLS:

TIMING:


BACKGROUND:


MATERIALS:

 


PROCEDURE:

 

 

 


ASSESSMENT:

Grouping:
o
Individual
o Small Group
o Total Class

Teaching Approach
o Written
o Hands-on
o Pictorial
o Psychomotor
o Oral
o Other

Product Choices:

OTHER CONNECTIONS:

 

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Multiple Intelligences and Bloom's Taxonomy
Adapted from Thomas Armstrong

  Knowledge Comphrehension Application Analysis Synthesis Evaluation
Language Arts (Linguistic)            
Math
(Logical-Mathematical)
           
Dance
(Bodily-Kinesthetic)
           
Music
(Musical)
           
Drama
(Inter- & Intra- personal, Kinesthetic)
           
Technology
           

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Transfer the content outline to a matrix to ensure a variety of approaches to learning.

Suggestions might include:
Multiple Intelligence: Howard Gardner
HOW IS A CHILD SMART?
Identify the multiple intelligence addressed by the activity and place a tally mark in the box.
By completing this task for each designated activity, there will be a cross reference of activities to standards of excellence.

  • Logical-Mathematical---------ability to solve problems rapidly, often in one’s head.
  • Linguistic Intelligence---------ability to use words creatively and with ease.
  • Musical Intelligence------------ability to produce and appreciate different forms of music.
  • Spatial Intelligence-------------ability to form a mental model of the spatial world.
  • Bodily Kinesthetic--------------ability to use one’s body with great skill.
  • Interpersonal Intelligence-----ability to understand and work effectively with other people.
  • Intrapersonal Intelligence----ability to recognize one’s own strengths, weaknesses, desires, and intelligences and operate effectively.
 

 

MUSICAL
(Music)
DRAMA
(Intra- & Inter- Personal, Kinesthetic)
DANCE/MOVEMENT
(Kinesthetic)
VISUAL ARTS
(Spatial)
READING/WRITING
(Linguistic)
MATH
(LOGICAL)
TECHNOLOGY
SOCIAL STUDIES    

 

 

 

 

 

 

 

 

 

 

 

 

SCIENCE

   

 

 

 

 

 

 

 

 

 

 

 

 

HEALTH

   

 

 

 

 

 

 

 

 

 

 

 

 

MATH

   

 

 

 

 

 

 

 

 

 

 

 

 

WRITING

   

 

 

 

 

 

 

 

 

 

 

 

 

READING

   

 

 

 

 

 

 

 

 

 

 

 

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BLOOM’S TAXONOMY OF THINKING SKILLS

Thinking skills that range from basic to abstract are based on Bloom’s Taxonomy. By using a matrix of the levels of thinking, the activities can be plotted to determine basic to abstract levels of thinking. The level of thinking is selected by placing the correct verb before the activity and assigning a product that reflects the intent of that level of thinking.

  Knowledge Comprehension Application Analysis Synthesis Evaluation
Social Studies            
Science            
Health            
Reading            
Writing            
Technology            
Math            

Example of verbs used to designate level of thinking

  Knowledge Comprehension Application Analysis Synthesis Evaluation
  explain restate organize compare/contrast add to interpret
  describe summarize order relate combine justify
  list describe collect differentiate extend decode
  observe show apply specify substitute conclude
  demonstrate group model determine rename dispute
  recognize paraphrase construct deduce design criticize
  tell show apply take apart predict solve

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Assessment

  • Selected Response

* Multiple Choice

* Standardized Tests

  • Essay Assessments
  • Performance Assessments
  • Personal Communications

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ASSESSMENT

  • Assessment should be synonymous with SUCCESS. Assessment is how teachers, parents, and students determine what is needed for the student to be successful in the skills and knowledge needed to complete any project or presentation.
  • What is to be assessed should be determined from the Core Application page and the Essential Questions.
  • Assessment can be as simple as an observation, discussion, interview, or as complex as a presentation or product. If the student is required to create a culminating project, make sure that assessment includes progress towards mastery of the skills and knowledge needed for students to be successful as they work on their project or presentation.
  • It is important for students to be able to use a variety of approaches to demonstrate their understanding of what they have learned. A list of a variety of products and presentations is included in this packet to help the teacher provide varied experiences for the student.
  • Throughout the year, the teacher should make sure every student masters different kinds of presentations--technological, creative, mathematical, written, oral, etc.,--to help students master all aspects of presentation and process skills.
  • Heidi Hayes-Jacobs emphasizes that reports done in sixth grade often look like reports done as seniors. Remember to make the difficulty of the assignment rigorous enough to be challenging at each grade level. Projects should help students continue to grow and develop their skills, so they are truly prepared to be independent in an ever changing world.

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PRODUCTS AND PRESENTATIONS

READING/WRITING (LINGUISTIC)

Advertisements
Choral Reading
Commercials
Exaggerations
Jokes
Limericks 
Newscast 
Outlines 
Picture
Banner
Clay Tablets
Critique
Fairy Tales
Journal/Diary
Myths
Nursery Rhymes
Pen Pals
Labels
Chain Story
Comic Strips
Diagramming
Game Construction
Letters
New Endings
Oaths
Petitions
Poetry/Rhymes
Publications - Newsletters, Newspapers, Yearbooks, Books, Pamphlets, Flyers, Advertisements, Magazines, Manuals, etc.
Questionnaires
Recipes
Schedules
Shopping Lists
Story Problems
Telegrams
Travel Logs
Quilting
Riddles
Scripts
Slogans
Story Webbing
Tests/Quizzes
Reader's Theater
Satire
Scrolls
Speeches
Surveys
Time Lines

MUSIC (MUSICAL)

Bands
Choir
Duets/Solos
Barbershop Quartets
Choral Reading
Listening, Writing, Composing
Chants
Cultural Music
Musical Artists
Music Interpretations - Movement, Art, Video, etc.
Musical Eras - Rock=n Roll, Modern, Big Band, Bluegrass, Classical, Jazz, Ragtime & Rap
Musical Games (e.g., musical chairs)
Musical Instruments - Band (e.g., guitar)
Musical Instruments - Body (e.g., clapping, vocalization)
Musical Instruments - Keyboard (e.g., piano, organ)
Musical Instruments - Nature (e.g., grass whistles, seed pods, fluted sticks, wind, bird songs)
Musical Instruments - Novelty (e.g., lap harp)
Musical Instruments - Orchestra (e.g., violin, trumpet)
Musical Instruments - Rhythm Band (e.g., blocks, maracas)
Musicals (e.g., Annie, Sound of Music, Music Man)
Musical Messages
Orchestra
Musical Pictures
Sign Language
Opera
Symphony

DRAMA

Advertisements
Charades
Dialog
Mime
Plays
Animation
Comedy Act
Dramatizations
Monologue
Characterizations
Debate
Improvisations
Pantomime
Puppet Shows - Marionettes/Hand Puppets/Finger Puppets/Paper Plates, Stick, Spool, or Box Puppets
Reader=s Theater Role-Playing Skits

VISUAL ARTS

Acrylic Paint
Blueprints
Caricatures
Collage
Cross Section
Diorama
Fabric Design
Hieroglyphics
Imprint
Macrame
Mobile
Movies
Papier Maché
Poster or Poster Painting
Relief Maps/Pictures
Artifacts
Ceramics
Charts/Graphs
Comics
Design
Display
Finger
Paint
Holograms
Jigsaw Puzzles
Maps
Models
Mural
Patterns
Puzzles 
Rubbings
Banner
Chalk
Clay
Costumes
Diagram
Etching
Game Construction
Illustration
Lithograph
Masks
Mosaic
Oil Pastels/Paint
Photographs
Quilting
Scherenschnitte
Scrapbook Sculpture (e.g., earth materials, household Ajunk,@ paper)
Silk Screen
Transparencies
Wax Melts
Silhouettes
Wall Hangings/Flags
SketchingWatercolors

DANCE

Ballet
Clogging
Ballroom Break
Cultural Dances - Native American, African, Outback, European, Japanese, Cowboy
Fast Dancing/Slow Dancing
Interpretive
Modern
Soft-Shoe
Tap
Foot Patterns
Jazz
Movement Games
Square
Hip Hop
Line
Shadow
Street

TECHNOLOGY

Cassette Tape
Internet
Radio
Film
CD
ITV
Television
Filmstrip
Ednet
Laser Disc
Video
Overheads

MATH

Food Math - M&M, Popcorn, Pizza, etc
Body Calculations
Gauges (connect with science)
Use Children for Numbers
Story Problems
Graphing (just about anything)
Nature Math
Geometry Creations
Occupational Needs
Life Skills Math (e.g., checkbooks, taxes)
Shopping Spree Critical Thinking - Mind Benders
Logic Puzzles (Any grade can do them.)
Extreme Numbers (Kids love to do outrageous number problems.)

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Reflection

  • What does it mean to be a Scientist? Historian? Writer?
  • What evidence do I have that I know new information?
  • What evidence is there that I know or have used new skills?
  • How do I learn?
  • What am I interested in?
  • Am I acquiring Life Skills?

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CURRICULUM MAPPING

  • Review the grade level appropriate CORE to identify the major academic content for the year.
  • Identify major content under the appropriate title and month to be taught.
  • Begin to identify "Big Ideas" that could work as unifying forces.
  • After unit/project titles have been decided upon, connect content areas where they interrelate. Titles could be posed as questions, issues, projects, topics, works, or global concepts.
  • Develop a time line for the year deciding where to put each of the units/projects during the year. Be sure and include any special event days, field trips, speakers, PTA activities, etc., that may affect the sequence of subject matter.

* Use "stickies" in order to make it easier to move the unit titles around on the Curriculum Map.

REMEMBER:
ONLY MAJOR CONTENT AREAS ARE BEING IDENTIFIED AT THIS TIME. USE THE CORE CURRICULUM TO HELP YOU LOCATE THE CONTENT. DO NOT WORRY ABOUT PROCESS OR ACTIVITIES AT THIS TIME.

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Subject Sept. Oct. Nov. Dec. Jan. Feb. Mar. April May

                 

                 

       

 

       

                 

                 

                 

                 

                 

                 

                 

                 

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All rights reserved except those which may be granted under Sections 107 and 108 of the Copyright Revision Act of 1976. This document may be freely distributed in its entirety for non-profit purposes provided that the copyright notice is not removed. If you have questions concerning proper use of this material, or if you are interested in obtaining permission, contact the Curriculum Section Reception Desk at 801-538-7698.

This document was submitted for posting to the Internet by the State Character Education Specialist. Any questions concerning content should be directed to that individual.

Updated June 01, 1999 by Michelle Dumas